1 of 3
“WHEN ARE YOU GOING to do something with your life?” Damian asks, but it isn’t so much a question as a declaration of frustration. The scene is the Red Lantern, the local pub popular with the students and faculty from the nearby community
college. Music
streams across the large room from the speakers in each corner, music
so loud that the lyrics are practically incomprehensible—and having a conversation with the people at your table means shouting overtop the blaring music.
Damian picks up his glass and sips his Harvey Wallbanger.
“I’m doing something,” Wesley says, and gulps half of what remains of his fourth Heineken.
Damian frowns. “Hanging out at the Red Lantern every night …”
“This was a mistake,” Wesley says, slamming his beer bottle down on the counter. “You should go.”
“Have you thought about going back to school?” Damian asks, cautiously.
Wesley’s fingers curl into a fist. “I didn’t ask for this—”
“Didn’t ask for what?” “Another one of your self-important lectures. God, you should be wearing a dog collar.” There’s a silence.
“Why don’t you—just leave—!”
Damian and Wesley drop their
gazes, and sitting on wooden backless stools at the bar, both of them
slouched
forward, their arms resting on the bar-counter, they say
nothing for a long time. Damian, the older of the two

"The scene is the Red Lantern, the local pub popular with the students and faculty from the nearby community college."

| brothers, currently occupies a prominent position in the civil service. Wesley, unemployed, works sporadically as a waiter in restaurants and cafés across Stockdale. Wesley is taller than his brother, and although they are both attractive, Damian is considered the better looking of the two.
Through a discreet sidelong
glance, Damian contemplates Wesley in his worn blue jeans, wrinkled
long-sleeved grey T-shirt, and the new matted beard he has grown since
their last meeting in February. It’s now May. Damian
feels nothing but hopelessness as he takes in Wesley’s cubist face that
seems to take possession of that same hopelessness. Damian’s
narrow dark brown eyes sparkle with discernible angst because his
brother’s summonses are unspoken appeals for money, which Damian
resents. He knows the cheques are only biding his brother time, that’s why he’s desperate to save Wesley, rescue him—offer salvation—from the black knight of
misery stalking him. This is, of course, a natural pursuit for someone like Damian, who’s used to being a leader and whose existence depends on him supporting others, yet he feels utterly useless when it comes to his brother. Damian turns to Wesley, and touching his hand to his brother’s arm, asks pointedly, “Are you all right?”
Wesley lifts the near-empty beer bottle to his round comical mouth and slurps the last mouthful. “I’m fine.”
He sets the bottle back down on the bar with a loud thud and signals for another when the bartender turns to look at him. “If you can’t help me—”
“I want to help, Wes—” “I just need some time to sort things out.” “How much time?” “I don’t know.”
“This—” Damian points at the full bottle of beer the bartender has just placed in front of Wesley. “This can’t be
helping.” “Fuck you!”
Damian stands. He contemplates Wesley, who gazes abstractly at the beer bottle now clasped in his hands.
Damian shakes his head and then makes his way to the exit. He
stands outside on the damp sidewalk, his hands shoved in his pockets,
part of him wanting to run back into the pub and drag Wesley back to
his home, lock him up there until he’s ‘sorted things out.’ The other part of him wants to walk away, and not look back. He takes a deep breath, holds onto the in-drawn drawn breath as long as he can, and pushes it out forcefully through his nose. As he’s about to make his way to his car, he’s startled by the sudden
tightening grip on his arm. It’s Wesley.
“I’m sorry …”
Damian twists himself free of
Wesley’s grasp, and looking intently into his brother’s round,
wide-apart brown
eyes, says urgently, “You say you need some time to
sort things out? Fine. Come live with me. You can have the sparebedroom.”
Wesley laughs. “Me—live —with you?” Still
laughing and considerably drunk, he lowers himself slowly and sits down
on the cement steps leading up to the Red Lantern’s main entrance. “Have you gone mad? What would he think?” Damian sucks his teeth noisily. “It doesn’t matter—”
“Doesn’t matter?”
“He’ll understand. Look, Wes—I can’t do this much longer.” Wesley purses his lips, and looking away, says, defeated, “No, I suppose not.” Damian takes out his wallet and pulls out a cheque, which he had made out to Wesley earlier in the day, takes a step forward and hands it to his brother. “Think about it,” he says and walks away. Wesley shrugs as he accepts the cheque. “Sure.” He carefully shoves the cheque in his front pants pocket and then lifts himself up and staggers after Damian, who’s heading towards his car at the far end of the parking lot. “Damian …” Damian stops walking and turns around, but the sun, breaking through the expanse of grey clouds, touches the roof of the Red Lantern and comes into his eyes, preventing him from seeing the tears swelling in Wesley’s eyes. Damian and Wesley stand there, looking at each other across the parking lot, and then Damian drops his gaze and ambles to his car.

Damian unlocks the door and enters the silent house. He removes his shoes and makes his way to the living
room, where he sits down on the black leather sofa. He wonders if Ethan is home but does not call out for him. What am I supposed to do? he asks himself as if the house is expecting something of him, waiting on him. He surveys the living room—the
two matching black leather club chairs separated from the sofa by a
square mahogany coffee table with a glass center, the mahogany
bookshelves lining the walls on both sides of the fireplace, the crown
mouldings that they had had restored last summer. Damian
moves off the sofa and turns around to examine the painting on the
wall, one of Wesley’s, a Christmas gift from a few years ago. A checkerboard of medium size squares painted alternately black and white, oil on canvas, with broad discernible brush strokes. Damian, who is not altogether an art aficionado, prefers the post-impressionists like Gauguin and Cézanne. "It’s different," Damian said, gently, when Wesley asked if he liked the painting. "I’ll paint you another," was Wesley’s wounded reply. "No. I like it,’"Ethan said, an economist with a minor in art history, intrigued by what he called a
Titian-inspired work. That had pleased Wesley.
Damian goes into the kitchen and pours himself a glass of orange juice, which he then carries into the dining
room. He
sets the glass on the buffet while he unscrews the cap from the vodka
bottle, and with the cap off, he adds a
generous splash of vodka to his
orange juice. It’s a few minutes past four o’clock in the
afternoon, and of course Ethan is home, but sometimes, working from his
third floor office of their old Victorian home, he cannot hear the
front door open and close. Damian returns to the kitchen, staring abstractly about the room, leaning against the counter in front of the microwave. He cannot shake the image of his brother, whom he had not heard from in the two weeks that have passed since their last
meeting at the Red Lantern. He’s still troubled by the awkwardness with which they spoke, and how detached Wesley had seemed to him. And to laugh like that—did he not realize that I was serious? Damian wonders. Of course he must be faithful to his own path, but he has no path. He’s not serious about anything. He’s a drunk, and to think that I’m supporting that habit! If only he would’ve talked to me. And then the phone call, his mother’s cacophonous sobbing, her words slurred and unintelligible, followed by the loud
clank of the phone being slammed down. His eyes are moist again, like they’ve been most of the day. He’s breathing slowly and deeply, wiping the tears away from his eyes, when Ethan appears in the kitchen.
|